Tuesday, February 28, 2012

Mid-Term Challenge - DUE MARCH 19th

All,

It’s Mid-Term time again! For those of you who have taken my classes before, you know that I take a somewhat unique approach to the Mid-Term and Final. I call the blog assignments that we do at these magic moments “updates” or “challenges.” I don’t call them papers. Rather, they are working documents that are designed to help you think through and integrate ideas from the class readings into your (evolving) thesis or dissertation topic. Yes, I realize your thesis/dissertation topic is evolving all the time, and will likely continue evolving until the moment you graduate. With this in mind, please use the Mid-Term Challenge to flesh out your research topic (if you haven’t done so already), articulating a way to implement arts-based feminist methodologies in your research. The methodologies we have discussed so far in this class encompass several forms of narrative (including fiction, creative non-fiction and oral histories, as in The Quilters) and poetry (which you are all quite good at, I must say!). Please integrate your reading of the second half of SABORAMI into your Mid-Term response.

The Mid-Term Challenge asks you to explain what you plan to do for your Master's thesis or Doctoral dissertation. Provide a general overview with enough detail for us to get a clear idea of what you want to do, how you will do it, and why you chose your particular topic.

For some of you, this will be your first opportunity to articulate your thesis or dissertation plans in writing. For others who have taken my classes before, you have had some experience in this area. Either way, it probably won’t be easy. But you're going to feel GREAT when you have something written down. If you've been anxious or worried about the thesis/dissertation process, or if you've been avoiding taking that first step, writing something down - no matter how sketchy or preliminary - will be an act of valor!

You may go about this in any number of ways. For example, if you already know who your research participants are or will be, or if you are still in the stage of considering different individuals or groups to work with, you could meet with a familiar person, or acquaint yourself with a new person, and record your conversation with them (in field notes, not video or tape recording unless you already have IRB approval). You may choose to visit a location and jot down your observations, develop your notes into a narrative or poem, and use this as part of your Mid-Term Challenge.

If you’re interested in pursuing something more along the lines of SABORAMI, you can include visuals (art and/or photography) in your response to this assignment. We haven’t yet read the chapter about visual arts-based research in Leavy’s book, but you can anticipate it by observing Vicuna’s text. It is a very good example.

It may sound like I'm asking you to write a long paper, but actually I think you can do it in about 3 paragraphs. The first paragraph will explain your plans for your thesis if you are in the MAE program, or your dissertation if you are a doctoral student. You may not know exactly what you're going to do, but this paragraph will give you a chance to start thinking and writing about it. If you have more than one idea and can't decide which way to go, write them all down. The group will offer you guidance!

The second paragraph can introduce the methodological approaches discussed in Leavy’s book that resonate with you. Explain why they resonate.

In the third paragraph, explain how the ideas in paragraph 2 connect to your thesis/dissertation project. Your thesis/dissertation topic may still be a hazy idea. However, the aim of this assignment is to twofold: 1) For you to state your thesis/dissertation work in clear, concise and concrete terms, and 2) For you to integrate ideas from this class into your thesis/dissertation.

Now, the 3-paragraph structure is just a suggestion. I don't advise less than 3 paragraphs or more than, say, 8 paragraphs. You do not have to write a formal research paper. This assignment is more about identifying what you want to do, getting your ideas down in writing, and seeing how your ideas and the readings in this class fit together.

In addition to the 3 paragraphs, I want you to produce a creative research document of some sort – it may be fiction, poetry, notes from a conversation, observation notes, visual art or some combination of these elements. How you put them together is your choice.

Please email me both parts – the 3 paragraphs and creative document – as Word doc attachments.

Remember, you are using these forms as methods, or ways, or doing research. This research should relate directly to your dissertation or thesis. It should have practical value to you as a student moving forward in your program. Make something you can use! You are students in programs that encourage and appreciate creative activity combined with original scholarly research. Approach the Mid-Term as an opportunity to find the right balance (for you) between creative and scholarly research activity. It will be different for each of you, but you can learn a lot in the process of doing it and we can learn a lot from each other.

I expect and welcome your questions about this assignment. Please, feel free to post your questions here. If you are uncertain about something – anything! - chances are that someone else in the class feels the same way. So don’t be self-conscious. (If you are self-conscious and can’t help it, you can email me.)

Best of luck with your Mid-Term Challenge. I can’t wait to read what you come up with!

8 comments:

  1. Is the Mid-Term Challenge due on March 18th? I want to make sure I am not misconstruing the syllabus.

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    1. Jenise, yes it's due March 18th because you'll be on break this weekend. I might move the due date to the 19th, since technically the 18th is still spring break. I will go ahead and switch the dates right now.

      Thanks for inquiring into this matter - I'm sure others were wondering the same thing.

      Happy Spring Break!

      carolyn

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    2. Thank you! Have a great Spring Break!

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  2. The Labyrinth

    My Master’s thesis in the MAE program will probably link the universal themes found in Greco-Roman myth with life of today. There are deep, symbolic meanings in the ancient stories that resonate with the struggles we have in the modern era because these fabula are based upon the lives of real people: their hopes, dreams, and longings. One of the symbols that I am drawn to is the labyrinth. There are multiple layers of meaning to this construction: it can be a puzzle, a maze, a problem, or a journey into the spiritual.

    On a more personal level, this year I have entered into a new phase of my life, unexpectedly. My eighty-four year old mother had a severe stroke last summer, and due to dementia and weakness, she can no longer live alone. She has come to live in our home and we are all in the “learning curve” as we try to work through the give and take of daily life. I plan to interview my mother to get a sense of her “voice” as she navigates this new bridge in our relationship. It isn’t always easy for either one of us. She will be completely honest, I know without a doubt. Therefore, I think that she will be a good candidate for this project, because she loves to “tell it like it is.” She will undoubtedly enjoy speaking forth her thoughts and feelings and this will give her a vehicle for communication.

    The labyrinth can be a symbol of the journey we take through this new venture, it can also be a representation of her tangled memories and confusion. At times, she is as quick and sharp as can be; at others, she is dazed and confused. Unpredictable, these moods come and go. I will also interview myself, as I endeavor to work through my own issues: the fear of failing her, the loss of privacy in my marriage and home, and the joy of seeing her overcome many obstacles to continue in her own art-making. An artist, she continues to try to regain the effective use of her right hand after the stroke.

    In Leavy’s book, Chapter 2, I was especially drawn to the minimal-passive interviewing technique that employs the “noninterruption” method in which I would engage in an ongoing interpretive process. I will create some key, narrative-inducing questions to get my mother started in telling her story. I plan to weave the factual parts of what has happened during the stroke and recovery process, or “lived life” with her “told story.” I will read back to her what I have written down so that she can refine what I have thought that she said into the true message that she meant to share. This concept really resonates with me because I value the “voice” of the person sharing their story. I want to give them a chance to speak the truth, as they see it.

    Some questions I am considering are:

    Tell me about the incident when the stroke occurred.

    What crossed your mind as you were riding to the hospital in the ambulance?

    What do you remember about the hospital and your recovery?

    Describe what it feels like now to be living in your daughters’ homes...Jane’s and Sue’s homes, instead of at your house on Josephine Street.

    Describe what it feels like to be 84...what is hard about it? What is good about it?

    What would you like to tell me about the whole experience?

    As I interview her, I know that other questions will come up, but I will refrain from asking those in the initial interview. I will write them down to ask later, during the next phase of questioning. I plan to create a poem/collage/visual art rendition from her words and thoughts as my project for the Mid-term Challenge given by Dr. Erler. For my final thesis I hope to have an art show that incorporates classical themes, along with the book I am writing for teachers in classical schools about the Greco-Roman era and its influence upon art through the ages as well as for today.

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  3. This is a rough idea/draft...I am starting questioning tonight. I appreciate your input and ideas!

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  4. That's pretty intense Suzanne. I respect the fact you will have the strength to enter this journey with your mom. I have to admit I was selfish when reading your topic. It was almost as if you were reading my mind. I plan on interviewing my family members on my topic. I'm nervous of what skeletons will come from the closet, but I have to know how my parents raised 4 amazing children.

    It's hard for me to put a title on my idea, but you really gave me some insight on how to get started. Good luck with your writing.

    By the way, I wear the l'itoi symbol around my neck, also known as The Man in the Maze.

    Legend
    According to O'odham oral history, the labyrinth design depicts experiences and choices we make in our journey through life. In the middle of the "maze", a person finds their dreams and goals. When one reaches the center, we have one final opportunity (the last turn in the design) to look back upon our choices and path, before the Sun God greets us, blesses us and passes us into the next world. (Wikipedia-Man in the Maze)

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    1. Mazes are so universal! I will definitely research the Man in the Maze...thank you for sharing!

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  5. Carolyn,

    Was there an update to the midterm challenge recently to include the second half of Saborami? I recall reading the post before I left for the break and didn't notice this the first time. I only mention this because I did not bring the book with me on my travels. Also, this may sound ignorant, but what is IRB approval? ...sounds official

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